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by Ken Brown
Since I lived in San Antonio, I was not involved in any of
the planning or execution of these concerts, but I can well
imagine what a staggering undertaking it must have been to
produce two events on this scale. All I can tell you is that
both years, when I walked into the auditorium and saw the
immense turnout, I was amazed. And the shows themselves were
unbelievably good. This was truly the CTBA’s finest
hour, and the association officers ought to be enshrined somewhere
for their efforts. In many ways, the middle and late1980s
were boom times for bluegrass in Central Texas and elsewhere.
The newsletter was upgraded and expanded, there were more
local events, the Kerrville Bluegrass Festival continued to
bring in major talent like Hot Rize and the Whites, and promoter
Jane Lancaster staged a series of Nacogdoches Summer Music
Festivals with acts like the Seldom Scene, Osborne Brothers,
Hot Rize, Newgrass Revival, Nashville Bluegrass Band, Tony
Trischka and Skyline, J. D. Crowe and the New South, Jerry
Douglas, the Tony Rice Unit, the Bluegrass Cardinals, and
others. It seemed that almost every major act in bluegrass
was there, and it was at one of these that Pete Wernick ventured
out into the campground one evening and spent the night picking
with a bunch of us rank amateurs. In the winter, Jane also
staged indoor festivals termed “Acoustic Music Conventions.”
In September, 1988, the final Kerrville Bluegrass festival
took place and in October, the first Old Settlers Bluegrass
Festival was held in Round Rock, sponsored by the Old Settlers
Association, City of Round Rock, and Round Rock Chamber of
Commerce. The following year, I saw Alison Krauss and Union
Station for the first time at the second festival.
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In September 1984, “Bluegrass Sunday Morning”
was cancelled. In May, 1984, the CTBA and Ted Miller
took over publication of the Bluegrass Newsletter from
Jamie MacLaggan, maintaining both the name and the current
issue numbering of the publication (the next three issues
lack the year of publication). The CTBA also established
a new “north” jam at Old Settlers Park on
weekends that alternated with the St. Michael’s
jam. In October, 1986, the “north” jam moved
to Cap’n Tom’s Barbecue. I believe Rolf
and Beate Sieker made their first visit to Austin in
January of 1985, and later that same year, the IBMA
was chartered (in 1992, the CTBA joined as a member
organization).
In 1986, the first Tres Rios festival was held featuring,
among others, Blue Night Express. Didn’t a couple
of those pickers eventually become Dixie Chicks?
In 1987, the final issue of the Bluegrass
Newsletter was published (April-May, Volume 11, number
2) and in May, the CTBA established the Central Texas
Bluegrass Bulletin to fill the void left by the demise
of the Bluegrass Newsletter.
This is the first publication that
the association could truly call its own (and the first
to actually sport the association’s logo), and
Jeanne DeFriese was the first editor. The first issue
is undated, but was evidently issued in May. Eleven
issues in 7 x 8.5-inch format were |
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Jamming at the first CTBA
membership
convention (January 22, 1978) at the Tumbleweed Restaurant
(now the County Line on the hill). Left to right, Dan
Huckabee (dobro), Dennis McDaniel (mandolin), unidentified
banjo picker (possibly Lang Scruggs),
unidentified mandolin picker. |
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produced at irregular
intervals, the last being the December 1988/January 1989 issue.
The date was listed, beginning with the second issue, but
no volume or issue numbers were listed. Beginning with the
February-March 1989 issue, the Bulletin went back to a standard
8.5 x 11-inch format, very similar in appearance to the Bluegrass
newsletter, but with the logo on the masthead. Volume and
issue numbers were still omitted throughout 1989, until the
February/March 1990 issue was published as Volume 12, number
1. The numbering, in other words, was resumed in such a way
as to make it consistent with its predecessor, the Bluegrass
Newsletter. CTBA member Buck Buchanan handled the printing
of the Bulletin, and would continue to do so for the next
ten years, earning himself a place in the CTBA Hall of Honor.
On May 7, 1988, the association celebrated its 10th anniversary
and Worldwide Bluegrass Month by staging the first of eleven
annual outdoor public concerts at Zilker Hillside Theater.
Wrygrass, the Barnburners, the Grazmatics, Texas Prairie Fire,
the Buchanan Brothers, Leon Valley Bluegrass, and the Flaky
Biscuit Boys played. In 1990, Don McCalister suggested that
the CTBA issue a compilation recording representing all the
member bands, to raise funds for the CTBA. Now, 13 years later,
it looks as though that idea is going to assume concrete form,
as the association issues its first compilation CD.
The 1990s: Zilker and Old Settlers
In June, 1990, the CTBA biweekly jam ended its twelve-year
run at St. Michael’s Church, leaving the “alternate
north” jam session at Cap’n Tom’s Barbecue
on north Lamar (now Ross’s Old Austin Café) as
the official CTBA jam, and starting a tradition of “barbecue
and bluegrass” that continues in Austin to this day.
Tom Allen, the North Carolinian ex-tugboat captain, served
as our genial host for the next year and a half. Large measures
of bluegrass were picked on the wraparound porch, and stage
shows featuring acts like the Weary Hearts and Warrior River
Boys were often held on a small open stage in the front yard.
In about January, 1993, the jam moved to the Travis County
Farmers’ market on Burnet Road and for the first time
was held every Sunday.
In October, 1992, the CTBA sponsored a fall festival (with
the Del McCoury Band) at Jellystone Park, near Waller. In
December, John Hood became the editor of the Bulletin. In
1993, the association co-sponsored the Old Settlers Festival.
This was the only year that the CTBA was formally involved
with the festival, but because so many CTBA members continued
to volunteer in subsequent years, and because the CTBA continued
to hold its own events at Old Settlers Park, the festival
was often erroneously associated with the CTBA in years to
come. A show featuring Bill Monroe and the Blue Grass Boys
was scheduled for June 12, 1994 at the Manchaca Fire Hall,
but had to be cancelled. In July, 1994, the CTBA jam moved
from the Farmers’ Market to Ruby’s Barbecue, on
29th Street. “Strictly Bluegrass,” hosted by Keith
Davis and Rod Moag, went on the air on KOOP-FM in 1994. In
1995, the Board of Directors began seeking Cultural Arts funding
for the Zilker show from the City of Austin. The grant was
received and applied to the 1996 festival. In April, 1995,
the CTBA jam moved from Ruby’s Barbecue to ArtZ RibHouse,
where it remains today, and in July, the association began
holding its annual “Fun Raiser” garage sale at
ArtZ RibHouse to recover losses (about $500) from producing
the Zilker festival and actually took in $863, far exceeding
its goal. Some time around February, 1996, the CTBA web site
went online. At the urging of editor John Hood, and beginning
with the June, 1996 issue, the Bulletin was considerably downsized
and changed from a bi-monthly to a monthly publication. Chuck
Interrante became the new editor in November 1996, then Chuck
Brodkin in April, 1997, Doug Stoker in July, 1998, and the
present editor, Steve Zimmet, in March 2000.
For eleven years, from 1988 to 1999, the CTBA held its free
outdoor concert series at Zilker Park Hillside Theater in
May, through years with good weather and bad, subsidizing
it through arts funding (in the early years) and the July
“Fun-Raiser.” Rising use fees and declining city
funding led the association to discontinue the Zilker fest
in 2000. Instead, an association jam was held at Krause Springs
in May, 2000, and a fall festival was held at Old Settlers
Park (by this time, the “Old Settlers Festival”
promoted by Randy Collier had moved on to Dripping Springs).
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